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Dear Friends,
I'm continually intrigued by how people talk "off center."
What I mean is that so often people take forever to make
a point. When they do finally make a point, it isn't relevant to the conversation
at hand, or to the person with whom they are speaking
.If you want to know, this is what I listen for first when
someone calls me to become a client. Can they get their point across succinctly
in a way that captures my attention and respects my time? Do they have
the potential to become "mediagenic." Sadly, most of the time the answer
is no.
This is due to three things:
-
They are not entirely clear on the point(s) they want
to make.
-
They don't take my time or interests into consideration.
-
Their topic or angle isn't of interest to the media.
Oftentimes people don't even realize that they are being
scrutinized when they pick up the phone to leave a message of any kind--but
this is the first impression someone may have of you. When you are pitching
by phone or on paper a potential client, business advisor, producer, or
an editor, it's necessary to keep these three points uppermost in your
mind. Producers and editors today are suffering severely from information
overload. We all are. It has become more important than ever to package
your verbal and print pitches to accommodate everyone's shrinking attention
span and patience meter. How? Read on....
Warmly,
Susan

5 SECRETS COPY-WRITING PROS USE TO CREATE HEADLINES
For pitch letters, press releases, and products
The first thing a producer sees is your headline. If you
don't capture their interest in your first line, most producers won't
read any further--and you've lost your chance to pitch your idea.
Headlines make you care. Write them in a conversational
tone and design them to reach the specific audience that has a need or
a desire for what you're promoting. Notice I say "desire" because mostly,
people "need" very few things. The more direct you are the better. In
other words, entice then deliver.
Below are each one of the secrets followed by an example:
1. The How-to.
"How to Get on Oprah in 10 Easy Steps."
When people want to learn about something they turn to
"How-to" information as their quickest source. Using numbers is one way
to let your audience know that what follows will be easy to digest. "How
to" in the title immediately alerts your reader that you plan to give
them something they can put to use today in a format they can follow.
2. The Command.
"Become an Internet Millionaire!"
Though this is a frequent cry, it still has an immediate
effect. Why? Commands assure you that there is a way to get what you want
from the advice that follows. They touch the "I want that!" place inside
you. They tell the reader that it's possible to achieve the benefit you're
"advertising." Your copy then backs-up your claim.
3. The Shocking Statement.
"Wives Who Don't Want Sex."
Oprah did a show on this topic stating that "experts now
estimate that up to 40 million women suffer from a loss of sexual desire--and
it's likely their partners suffer too." She even calls it "A secret epidemic."
Who knew? Bring up the unlikely, the counterintuitive (Even
women who loved their husbands in every other way, just didn't have the
desire for sexual intimacy. One woman who ditched the headache excuse,
came up with a new approach to avoiding sex: Start an argument). Provocative
statements get our attention like an electrical shock. They make you sit
up and say, "Really?"
4. The Question.
"Do you really know your mate?"
People often unconsciously answer the question you pose
in their minds. Your body copy will piggyback with an answer that includes
statistics. Something like: "55% of all couples say that they do, but
then are shocked when they find out about a partner's hidden desire."
5. The "New" News Item.
"Find out about the only drug that cures unhappiness."
The latest news flash needs to introduce something truly
new in order to be valid. To be newsworthy, "new news" promises excitement,
informs, or states something helpful that will benefit a lot of people.
Words like "only, new, introducing, powerful, and first," are a few words
that insist on attention. But use them sparingly and carefully, producers
and reporters have a low tolerance for any kind of hype. Also, if you
say you're first, it needs to be true.
Get tips like this and more than 100 pages of insights
and hot tips in my new book "The Ultimate Guide to Getting Booked on Oprah: 10 Steps to Becoming a
Guest on the World's Top Talk Show." (http://prsecrets.com/store/oprah-guide.html)
You'll find dozens of ideas, advice on how to Oprah pitch producers, and
insider secrets from the best publicists in the business. Click
here to find out more and read the table of contents and excerpts from chapters.
EXTRA! All subscribers to my newsletter get a 20% off coupon on "Oprah"
and on ALL of my products until November 20. Just enter Coupon Code: MA595S
on the order form page. If you've been waiting to begin any kind of publicity
campaign, now is the time to start. Click here
to see all available products on the PR Secrets Store.

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PITCHING SECRETS OF THE PROS
Pitch a producer in 20 seconds. Gain a producer's interest
in one paragraph. Avoid sending lengthy press kits. The shorter the
better. Find out how in "The Ultimate Guide to Getting Booked on Oprah." (http://prsecrets.com/store/oprah-guide.html)
These tips and more can be used for any top talk show. You'll find out
how the pros get their calls taken and their clients booked at the most
prestigious shows.
HOW TO GET BOOKED ON "OPRAH" & OTHER TOP TALK SHOWS
January 15, 2002 class
If you missed my SOLD OUT November 6 class at the SF Learning
Annex, you are invited to discover the secrets of getting on the top talk
show in the country one more time. (We had to get a bigger room at the
last minute to accommodate everyone). It was so popular I was asked to
teach it at all the Learning Annexes throughout the country. I'll be revealing
the strategies of top publicists who regularly get their clients on Oprah,
along with other closely guarded "trade" secrets.
A few things you'll learn:
* The ultimate secret to getting chosen as a guest on "Oprah".
* Stories from people who have successfully gotten on the
show.
* And much more.
Find out more here.
Register today at 415.788.5500
or online at: http://www.learningannex.com
$29 members/$49 non-members
ONLINE MEDIA DIRECTORY
There is a new e-mail publication directory that you should
know about called ListFish:
http://www.listfish.com.
They are currently in pre-launch mode and issuing a call
for publishers to make submissions--so now is the time to get listed before
it gets too popular.

DOUBLE YOUR WEB BOOK SALES
If you want to double or even quadruple your Web book sales
like I did in just one month, you'll want to investigate opt-in ezines.
Once I started submitting my how to articles on book writing and marketing,
great things happened--appreciation emails from all over the country,
professional groups saying they would publish my articles in their ezines
that go to thousands of subscribers, and most of all, quadrupled Web book
sales. All in just one month! Before you submit your articles you must
subscribe. You'll receive a confirmation email, and you're off! You simply
submit your article with your signature box including a link back to where
you sell your books. To get you started, try
PublishInYours-subscribe@yahoogroups.com.
Just think what will happen next month!
Judy Cullins, M.A., publisher, author, book coach; 18 clients
published since 1999.
Excerpted from
Ten Non-techie
Ways to Market Your Book
Free monthly ezine: The Book Coach Says...

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this is a place to relax, unwind and renew with your writing ... and to
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Copyright (c) 2002, 2003, 2004, 2005, 2006, 2007 or 2008 Susan Harrow, All Rights Reserved. Media coach & marketing expert Susan Harrow is author of "Sell Yourself Without Selling Your Soul." Get the book and your gift of her monthly newsletter of publicity and marketing tips (a $197/year value!) at http://prsecrets.com |
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